Cool. Glad to see so many others who liked the film as well.
But I'm even more curious, now: Have eastern martial arts so inundated western culture that nobody raises an eyebrow anymore when they are dumped willy-nilly into inappropriate settings? I'm as big a martial arts buff as the next guy (and probably more so than many), but when I see a supposed officer of the French army and an Iroquois holy man who both fight like they're straight from Bangkok, it does awful things to my suspension of disbelief.
Why, if a filmmaker goes to the trouble of extensive costumes, sets, et al. for a period film, would he then nix all that by allowing such a blatant anachronism?
Don't get me wrong -- I really did enjoy this film quite a bit (and how can Monica Bellucci not increase one's enjoyment...? But let that pass...). I guess maybe I just have a hard time believing there aren't any choreographers out there capable of putting together believable fights with swords and knives that don't involve cartwheels, butterfly kicks, and other plainly Asian-flavored techniques.
Am I really in that much of a minority here? (Nothing against those who disagree, of course -- I'm just a little surprised, that's all.)